![]() Has given me more confidence about myself and my work. I'm not ashamed of the poor organization of my writing." - Nommanic Where two characters fight to keep their relationship intact, and try toįind a balance in control of themselves and their lives. Went willy nilly all over, into a clearly defined, intriguing battle I was able to take a story that I simply just fooled around with and That it will be a more interesting novel." - Lloyd Edwards Understand how a novel is structured, I will rewrite mine, confident Your website has the most useful and practical guidance. ![]() "I've read more than fifty books on writing, writing novels, etc., but How? Simply click here to return to Character Invite.ĭark secrets you must unearth to effectively write a horror story. Join in and submit your own question/topic! It's easy to do. That's the unique power of an omniscient narrator. ![]() Hence, we see the greater irony that Scrooge does to his nephew what his father did to him. On top of that, the Ghost reveals that the reason Scrooge was unloved by his father was that Scrooge's mother died giving birth to him and his father resented Scrooge for it. The audience can see how much he wanted the love of family, how alone he eventually became, and how terrible it is that he missed an opportunity to honor his sister's love and to nurture the love of his nephew's family. The effect of this scene is to create great sympathy for Scrooge. When the boy grows up, Scrooge refuses to come to his wedding, rejects the nephew's bride, and won't even visit the couple at Christmas. The audience also knows (because this is a flashback) that, in fact, Scrooge fails to take his nephew into his heart. But the audience hears her ask Scrooge (not knowing he's gone) to look after her newborn son. The young Schrooge, upset by the loss of the only person who ever loved him, flees from his sister's deathbed and fails to hear her dying words. The viewpoint is essentially omniscient, since the story is being presented by the Ghost of Christmas Past.
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